Re: (Amps) Fender Bassman, Twin Reverb, Reissue 65 oder was ?

Beitrag von bO²gie vom März 01. 2002 um 03:36:59:

Als Antwort zu: Re: (Amps) Fender Bassman, Twin Reverb, Reissue 65 oder was ? geschrieben von the REAL keek am Februar 28. 2002 um 12:33:51:

: ..hehe, könnte dich ja mal nochmehr aus dem konzept bringen: hör' dir bei gelegenheit noch den fender vibroking an! aber vorsicht extreme suchtgefahr!!
:
: mal ohne witz, hör' dir mr.SRV an! strat über einen tubescreamer innen bassman. und der typ steht nicht umsonst in dem ruf, neben einem gewissen jimmi hendrix DEN mördersound des vergangenen jahrtausends gefahren zu haben!

Aloha -

gerade Stevie Ray Vaughan hat Unmengen an verschiedenen Fender, Marshall, M/Boogie und Dumble Amps verheizt:

Auszug aus aus der Texas Flood Website:
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5.3.2 RECORDING AND ON-STAGE RIGS BY YEAR


1981 THROUGH 1983

Marshall Combo 2x12 JBL (200 watt, but peaks at 80 watts)
Two Fender Vibroverbs 1x15
Y-cord into Marshall and one Vibroverb, then patch to other Vibroverb
Tube Screamer
Vox Wah

CIRCA 1984

Stacked 2 Vibroverbs with 2 Super Reverbs
Two Vibroverbs (#5 and #6 serials, bought in different times, different places)
Super Reverb w/ 15" speaker, shorter cab, no midrange control
Fave setup was two Vibroverbs and two Supers, let Vibroverbs handle bottom end, set one super clean, the other variable
Eventually retired Supers for Dumble Steel String Singers
Wah wah, Tube Screamer, Univibes
No straight distortion box, uses Tube Screamer for extra gain and break-up
"Cold Shot" played through Vibratone (10" speaker with rotating Styro cone in front)



CIRCA 1985 THROUGH 1987

Two chained Vibroverbs, one driving a Vibratone cabinet
One or two Super Reverbs
Dumble Steel String Singer driving Marshall 8x10 cab
"Life Without You" used Tube Screamer plus two open wahs opposed (for solo on record)
For "Say What!", sat on stool and used both feet to rock wahs in opposite directions (on record). On stage, would sometimes
duct-tape wahs together for one-foot operation



1988 THROUGH 1990

Two Vibroverbs, one driving Vibratone
Two 4x10 Super Reverbs
Two Marshall heads driving Marshall cabinets
Dumble Steel String Singer driving Marshall 8x10" cabinet
One or two Tube Screamers for gain
Fuzz Face for distortion
Octavia, wah



RIG FOR RECORDING "IN STEP"

1959 Tweed Bassman 4x10"
2 Dumble 4x12" cabs
2 Marshall 4x12" cabs
1962 Twin Reverb
Marshall Major 200-watt Super PA into Marshall "bathtub" 4x15" cabinet
Marshall Major 200-watt Super Lead into 8x12" KTR88 cabinet JCM800 100 watt half stack
1 "bathtub" Marshall cab w/ 4x12"
300 watt Dumble
150 watt Dumble
2 Super Reverbs
Mesa-Boogie Simul-Class running Fender Vibratone
Vibratone in separate room, with Variac controlling speed
Magnatone
Fender Harvard
Roland Jazz Chorus
Groove Tube preamp
Variacs to adjust and sync power requirements
Fuzz Face
Cry Baby
Echoplex
Cyclosonic "auto-panner" on Riviera Paradise
Liked Groove Tube feeding Roland, plus Marshall, plus Bassman
Tried Tube Screamer feeding another TS feeding Bassman
(These are the amps mentioned in various interviews)

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Wenn's zur Entscheidungsfindung beiträgt ;-))

slide on ...
bO²gie

verfasste Antworten:

• Der Ton der aus den Fingern kommt... C.Bux 01. März 2002 09:15:59

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